Farmer Grumpy says, ‘Get orff moy paast!’

Mozart Sonata in A K.311
Fritz Neumeyer
(fortepiano by Johann Gottlieb Fichtl, late 18th C)
Archiv AP 13013 (rec. 30 October 1952)

Apologies for my long, rude silence and a big thank you to everyone who has read this blog and left kind comments. Blogger has been broken for some time and I am tired of dealing with the pointless ‘improvements’ to technology which I had been happily using for months without problems. I hope to respond soon. The good news is, I have been writing my PhD! Slowly, but surely…

Still, I am known to slink naughtily off for some retail therapy. Yesterday, my bad friend Jolyon and I went to visit a kind man who sold us some interesting 78s and LPs from his gargantuan collection – like me, he can’t bear to see anything thrown away.

Among them were some LPs formerly in the library of a British university music department, which was notoriously closed down a few years ago. I was very glad to find this one, which I’m fairly sure is one of the earliest complete recordings of a Classical keyboard sonata on a fortepiano. Ralph Kirkpatrick was making records on one around this time, although I believe that was a modern instrument by John Challis. If you know of earlier or other contemporary recordings, I’d be very interested to learn of them.

I knew of this disc but had never seen nor heard it. Nor would you, if it was up to the record industry’s ‘To-infinity-and-beyond!’ copyright-extension lobby and its superannuated self-appointed terrors of the newsgroups, to the early music thought-police or to keyboard-lion worshippers and Martha Argerich scrapbook compilers. (NB I specifically exclude DG from this list of villains; I very much doubt they could sell this disc at a profit, precisely because of all the other people who would immediately tell us it’s worthless.)

Another reason is that this LP was apparently roundly condemned when first issued in Britain – unfortunately, the January 1955 issue of Gramophone is one of several missing entirely from the magazine’s archive, although the scathing review was cited (approvingly) when a 12-inch LP reissue was covered in November 1963.

No, it’s not the greatest performance ever recorded. But who is to tell us which is? Who is to dictate to us that we should never hear it again? That we should not try to appreciate the pioneering efforts of artists like Neumeyer? Are all today’s fortepianists really that much better? I think Neumeyer is rather sensitive and poetic in the first two movements. And good on him for going for broke in the finale – Turkish music was meant to be a bit kitsch, I suspect. Also, recordings of instruments by this Viennese maker are none too common.

Get the three fully tagged, mono FLAC files in a .rar file here.

Yes, like Farmer Palmer, when I see someone braying ‘deservedly forgotten’ and worriting moy sheep, I reach for my 12-bore…

'Dry' my a*se!

I mentioned to a friend recently that I'd done a dub of this record and he called it, 'Dry'. It's a criticism I've often heard of Foldes and I don't quite understand it; I prefer to think of him as 'classical'. He's one of my favourite pianists - and sorely neglected in CD reissues. DG seems to think he's only fit for compilations of the 'Liebestraum', 'Für Elise', 'Passion for Piano', and 'Piano Weekend' variety. They can't be bothered to reissue his milestone solo Bartók cycle (just one Dokumente CD that's been around for years) and for some incomprehensible reason they never marketed the superb if unnecessarily selective Original Masters 'Wizard of the Keyboard' twofer in the UK - I had to buy mine from abroad (and three nanoseconds later it's been deleted, anyway, though you can buy it as a FLAC download, which is a small mercy - get it, the Stravinsky Sonata and Barber Excursions are my absolute tops for these works).

So, for grumpy fellow Foldes fans and sceptics, here is his fine 1958 'Emperor' with Ferdinand Leitner, from a stereo Heliodor LP published in 1959, which I picked up in a local charity shop recently. I haven't put up the filler, the little Sonata in G Op.79, because it's very short, not quite so interesting and the nitwit who last owned this disc managed to slather that bit in some annoying gunge which our little miracle helper ClickRepair can't deal with.

Otherwise, ClickRepair has done a great job and I find the 1958 sound remarkably good. Can't say the same for the grungy and depressing cover - how many copies did this sell? Also, I specially bought an A3 scanner so I could do LP covers: well, bravo the person at Mustek who put a raised, chamfered edge round the platen just high enough so that LPs, which don't fit by a couple of mm, sit half on and half off the platen: not only is one or the other side chopped off but the other is also out of focus. If you wanted to help users frame their paper originals, 1 mm, unchamfered, would have been fine. The software is also beyond dire.

Two stereo, fully tagged FLAC files (Adagio and attacca Rondo are one file) in a .rar file at:

http://www.mediafire.com/?jldzzctdymf