Der Alte ja vergangen ist

‘Festival in Haiti’ 

Déclaration Paysanne (Meringue)
Pétro-Quita (Drum Rhythms)
Shango (Invocation)
Pennywhistle Fantasie
Solé Oh! (Invocation-Yanvalou)
 Méringue
Macaya Gimbo (Work Song)
Dié, Dié, Dié (Invocation-Zépaules)
 Mascaron-Pignitte (Carnival Rhythms)
 Ayanman Ibo (Ibo Rhythm)

Jean Léon Destiné (vocals), Alphone Cimber (drums),
Ti-Roro (drums), Herblee (pennywhistle), ensemble
recorded c.1954, New York?
Elektra EKL-30, p.1955

Drat – I didn’t mean to let 2019 pass without a single post. Well, there you have it – yet more proof of terminal decline etc., blah, blah… Worse, I started this post in April 2018 (same transfer but a completely different subject, which I don’t have the energy or time to write up now, sadly). That ground to a halt, as did pretty much all my ‘projects’ last year.

Now, though, I have a good excuse: I’m employed! My first full-time office job in 21½ years started in late October 2019. It’s only for a year but it comes with full benefits, including a pension. My boss is adorable, my colleagues are kind and helpful, the work is fascinating and right up my street, and our office is calm and civilized. It’s strange to be commuting again, squished up against a lot of young things, some probably yet unborn when I last rode the Tube like this… and no one was glued to a phone, either! (Still don’t own a smart phone.) (Do own other digital gizmos, though.) And this year I get my OAP’s free pass!

Anyway, to show I’m still alive and sentient (just), here’s a quick and dirty post to usher out 2019, in which the old me was suddenly and unexpectedly rejuvenated, and to usher in 2020, when I resolve to do all sorts of things to stave off the big D… like start dancing! Highly apposite to this post, as it happens: this lovely 10” LP isn’t your humble grump’s usual cerebral, sedentary fare, but celebrates the work of a famous Haitian dance artist. I confess I’d never heard of Jean-Léon Destiné (1918-2013) when I found this disc amongst my late father’s LPs a couple of years ago and gave it a spin. I was instantly impressed by the music, economical to the point of austerity in places but curiously gripping; the performances, full of authority, verve and conviction; the intimate, involving recording (which has come up nicely in this transfer, though I say so meself); and the proper grown-up presentation.

Don’t worry if you can’t read that sleeve note – there’s a bigger version of the scan in both Zip archives below, plus a PDF of the 12-page illustrated insert I found inside the sleeve. Of course, it’s now more than 60 years out of date but, again, worry not: there are several articles about and tributes to Destiné on the Web, such as this one, which looks very interesting.

So, take your pick: there are 10 lossless audio files, in FLAC or ALAC (Mac) formats, plus scans, in each Zip, which you can download from here (FLAC) or here (ALAC).

Happy New Year and enjoy!

(P.S. Not sure when I’ll get round to writing another post this year… but I’ll try my best!)

Forgive them, Father, for they have not a clue…

A corner of the Cave
(snapped by Grumpy, with his lovely new lens…)

William Byrd
Music from the Fitzwilliam Virginal Book
Fritz Neumeyer (harpsichord)
Archiv 13 026 AP (rec. 24 & 25 May 1954)

Once again, many apologies for my long silence. I’ve been finishing a certain pressing task – which, I’m glad to say, is finally done: last week, I sent off my thesis to be printed and bound, for submission to the examiners. They now have 8 weeks, poor chaps, to read all >ahem!< 86,184 words (not including footnotes or appendices)…

While I was desperately trying to focus my thoughts, I found myself craving mostly modern music: Birtwistle, Berio, Boulez, Dufourt, Grisey, Haas, Ligeti, Stockhausen, and I forget who else… plus a lot of Stravinsky, as ever: I finally learned to love his Concertino, for instance, thanks to a cracking DG disc of his shorter pieces, superbly performed by the Orpheus Chamber Orchestra.

We also spent two weeks in New York, where we witnessed Hurricane Sandy, and I was lucky enough to meet fellow-blogger Squirrel. He and his marvellous mate received me most hospitably, plying me with tea and delicious home-baked cookies. Their Nest is in a fascinating neighbourhood, which Squirrel guided me round most informatively. Then we went to a concert of Scottish and English viol music and songs, ravishingly performed by New York-based viol consort Parthenia, with the counter-tenor Ryland Angel. I see they’re repeating it this coming Tuesday (14 January) in Greenwich Village, at St. Luke in the Fields, 487 Hudson Street – do go if you can!

So, no time for LP transfers (though I’ve been buying 78s aplenty). Also, my ‘main’ PC suddenly died, disrupting my audio workflow; and my new hobby (photography – bad, for a spendthrift like me) demands that I invest in some new hardware, for digital image-processing. So I’ve  got to do some techy research before I take the plunge. One thing I can tell you right now, though, and for free: I’m not touching Windows 8.

Still, I have some transfers on the stocks, so, in homage to Squirrel and Parthenia, here’s one to tide us over until I get back into those grooves. (Also, we’re away in New Zealand until early February.) Not the greatest harpsichord playing, but it is one of the earliest LPs devoted entirely to Byrd’s keyboard music I know of. The best performance here, for me, is of The Bells.

1 Praeludium to the Fancie [BK12]; Fantasia [BK13]
2 Fortune My Foe, Farewell Delight [BK6]
3 The Bells [BK38]
4 The Third Pavian [BK14]
5 Galliard in D 'Sol Re' [BK53]
6 An Almane [BK89]
7 La Volta [BK91]

The 7 mono, fully tagged FLAC files are in a .rar archive, here.

So what’s with the the title of this post? Well, a kind visitor to the Cave just alerted me to the fact that another harpsichord LP, of the same vintage (Jean-Claude Chiasson playing Couperin on Lyrichord), has become the first of Grumpy’s droppings to fall foul of the censors: it is now marked ‘©  This file is copyrighted and cannot be shared’. They’re wrong, actually, but never mind.

The large record companies have lost the plot so completely, that I’m almost past caring. Though it made me very cross when I saw an upload by Discobole, of orchestral music by Chabrier conducted by Jean Fournet – in 1952, for goodness’ sake –, blocked with the message,
‘Permission Denied. Not provided by submitter by Not provided by submitter can be downloaded from one of these fine retailers.’
I can’t work out if the lack of a modern commercially available alternative was down to the ignorance of the sad snitch who grassed Discobole up, or of the company which supposedly ‘owns’ Fournet’s recording (it doesn’t: the LP entered the public domain about ten years ago, which is why Naxos has been able to reissue it).

Something similar happened to an upload by Damian, of Tchaikovsky’s Nutcracker Suite and Serenade conducted by Franz André, but that time the message was along the lines of, ‘Buy this from Orinoco, played by the False Claims Orchestra on the Lobbyist label’. I have absolutely no time for piracy but this is not it. The sheer bad faith and idiocy of this procedure are breath-taking. Grumpy is getting grumpier by the hour.

No sewing-machine here!

Domenico Scarlatti 8 Essercizi per gravicembalo
Eliza Hansen
(‘Christophori’ model harpsichord by Neupert)
Archiv 13 001 (rec. 22 & 23 October 1953)

Apologies, I’ve had this on the stocks for some time, but I’ve been grumpier than usual. Also, I’ve become self-defeatingly perfectionist about my transfers; I’ve done several interesting LPs that I just don’t feel are good enough to inflict on you. What I’d have been quite happy with, some months ago, now sounds hummy, crackly, distorted or dull.

No danger of that here, though – what a sparkling gem of a disc! I was walking to our little Lidl this morning (their trout fillets smoked with juniper berries are the best) when I passed one of our other locals – the sewing supplies shop, where I buy embroidering wool for Ma Grumpy. A wonderful time-warp.

It reminded me to post this disc – as a counter-example. All right, the Neupert. A little metronomic rigidity, perhaps, yes. I see Lionel Salter called it stolid; I think that’s going too far. It’s not auto-pilot, sewing-machine playing. I get the strong feeling Hansen is seeing through the notes to the gestures – and relishing the fabulous, free-wheeling writing.

I’d never heard Hansen before – do read the short biog on wikipedia.de (link above), she’s obviously an important and interesting figure. I’m on the hunt for her other Archiv disc – annoyingly, I bought a copy recently but on receiving it found it was mono. That’s the trouble with those ARC-prefixed US pressings – you can’t tell from the number which mode it’s in (or have I missed something?). Though the dealer should have said, frankly.

8 mono, fully-tagged FLACs, in a .rar file, here.

P.S.: Please all visit Jolyon’s new blog, Fluff on the Needle!

Uninspired?

Mozart Piano Concerto in A K.414
Heinz Scholz (fortepiano by Anton Walter, c.1780,
from Mozart’s Birthplace, Salzburg)
Salzburg Mozarteum Orchestra, Bernhard Paumgartner
Archiv 13 021 (rec. 1-2 September 1952,
Festspielhaus, Salzburg)

The reviewers were right, for once – this is a somewhat routine interpretation (see reviews in The Gramophone of  this issue and reissue, recoupled with Sonata K.311, see earlier Grumpy-post). Though they preferred it to Neumeyer’s Sonata, which I don’t.

But most emphatically not a routine production! It’s surely the first recording of a Mozart concerto on a period instrument – and not just any period instrument but Mozart’s own Walter, from the Birthplace museum in Salzburg. You’ll find plenty about the instrument on the web. According to this 10-inch disc’s ‘archive card’, the poor old dear was  hauled onto the stage of the Festspielhaus for this recording! The sound is better, I feel, than the second Gramophone review makes out; I wonder how much ‘help’ they gave the fortepiano, which is pretty quiet.

Note that the better-known (and, frankly, better) Haydn Society recording of K.453 in G by Ralph Kirkpatrick and the Dumbarton Oaks Chamber Orchestra under Alexander Schneider, though earlier (rec. March 1951, New York, I gather), was made on a modern instrument built by Challis. You can hear that recording by courtesy of fellow-blogger Lawrence Austin or via the British Library’s Archival Sound Recordings site.

The next recording of K.414 on a period instrument was only in 1969, by Jörg Demus and the Collegium Aureum (issued in the UK and reviewed in 1975), an LP that has not been reissued, I believe.

So who was Heinz Scholz? As far as I can ascertain this was his only recording. He did some fingering for Schott’s ‘Wiener Urtext’ edition of the Sonatas. It’s not an uncommon name but was/is he related to keyboard-builder and restorer Martin Scholz, who worked in Germany and Switzerland?

Anyway, it can’t have been easy to record on the Walter; as I remember, András Schiff’s recordings on it were a little dull. Like me, in fact, at the moment.

Three mono FLACs, fully tagged, in a .rar file, here.

Farmer Grumpy says, ‘Get orff moy paast!’

Mozart Sonata in A K.311
Fritz Neumeyer
(fortepiano by Johann Gottlieb Fichtl, late 18th C)
Archiv AP 13013 (rec. 30 October 1952)

Apologies for my long, rude silence and a big thank you to everyone who has read this blog and left kind comments. Blogger has been broken for some time and I am tired of dealing with the pointless ‘improvements’ to technology which I had been happily using for months without problems. I hope to respond soon. The good news is, I have been writing my PhD! Slowly, but surely…

Still, I am known to slink naughtily off for some retail therapy. Yesterday, my bad friend Jolyon and I went to visit a kind man who sold us some interesting 78s and LPs from his gargantuan collection – like me, he can’t bear to see anything thrown away.

Among them were some LPs formerly in the library of a British university music department, which was notoriously closed down a few years ago. I was very glad to find this one, which I’m fairly sure is one of the earliest complete recordings of a Classical keyboard sonata on a fortepiano. Ralph Kirkpatrick was making records on one around this time, although I believe that was a modern instrument by John Challis. If you know of earlier or other contemporary recordings, I’d be very interested to learn of them.

I knew of this disc but had never seen nor heard it. Nor would you, if it was up to the record industry’s ‘To-infinity-and-beyond!’ copyright-extension lobby and its superannuated self-appointed terrors of the newsgroups, to the early music thought-police or to keyboard-lion worshippers and Martha Argerich scrapbook compilers. (NB I specifically exclude DG from this list of villains; I very much doubt they could sell this disc at a profit, precisely because of all the other people who would immediately tell us it’s worthless.)

Another reason is that this LP was apparently roundly condemned when first issued in Britain – unfortunately, the January 1955 issue of Gramophone is one of several missing entirely from the magazine’s archive, although the scathing review was cited (approvingly) when a 12-inch LP reissue was covered in November 1963.

No, it’s not the greatest performance ever recorded. But who is to tell us which is? Who is to dictate to us that we should never hear it again? That we should not try to appreciate the pioneering efforts of artists like Neumeyer? Are all today’s fortepianists really that much better? I think Neumeyer is rather sensitive and poetic in the first two movements. And good on him for going for broke in the finale – Turkish music was meant to be a bit kitsch, I suspect. Also, recordings of instruments by this Viennese maker are none too common.

Get the three fully tagged, mono FLAC files in a .rar file here.

Yes, like Farmer Palmer, when I see someone braying ‘deservedly forgotten’ and worriting moy sheep, I reach for my 12-bore…

The Kindness of Strangers, part 7

I’ve no more nice pictures of the sisters or label scans – so I thought I’d pay homage to these fine Hungarian fiddlers with a different kind of label. I wonder if Jelly and Adila’s father Taksony von Arányi enjoyed a drop of Aszú? Or great-uncle Joseph?

La Grumpy just found this one in an old Sachertorte box at the back of the Cave (she’s been on a bit of a spring clean). The RTWC (with which I have no connection, sadly) has made some of the best Tokaji I’ve had the privilege of drinking. Their ‘ordinary’ 5 Puttonyos is pretty good but the single-vineyard Birsalmás is heavenly. I also have some of their first-growths, behind the dead mammoth. Maturing nicely.

Like the Baroque bonbons which these sisters played so well, sweet wines (except for the sole Sauternes oriental billionaires have heard of) have been out of fashion for a long time. Good! – all the more for us. I’ll drink them any time, with anything.

This first ten-inch disc includes an item by Martin Marsick, teacher of Enescu, Flesch, Thibaud and other famous violinists, as well as a snippet from a keyboard sonata by Mozart’s mentor Padre Martini. Took me ages to check the Galuppi. No idea where in Destouches’ ‘pastorale héroïque’ Issé this passepied comes from. Chrysander confusingly called the Handel No.7.

Once again, I raise a botrytis-beaded bumper to collector Raymond Glaspole, thanks to whose extraordinary assiduity and generosity we can enjoy these rare discs. I’ve left most of the noble mould on – just a light dusting with ClickRepair and some LF filtering. Download these ten mono, fully-tagged FLAC files in a .rar archive here.

Martini arr. Endicott Sonata in D Op.2 No.2 – (i) Allegro
Marsick 2 Morceaux Op.6 - No.2 Scherzando
Jelly d’Arányi (violin), Ethel Hobday (piano)
Vocalion X 9525, issued February 1925

Purcell arr. Lambert The Indian Queen Z.630 –
Act IV, Act Tune (‘Air’) [as ‘Andante maestoso’]
Leclair arr. Sarasate Sonata in D for violin & continuo Op.9 No.3 – (iii) Sarabande, (iv) Tambourin
Jelly d’Arányi (violin), Ethel Hobday (piano)
Vocalion K 05168, issued May 1925

Galuppi arr. Craxton Sonata in a minor
Op.1 No.3 – (i) Largo;
Sonata in C Op.1 No.1 – (ii) Presto [as ‘Allegro giocoso’]
Destouches arr. Dandelot Issé – Passepied
Jelly d’Arányi (violin), Ethel Hobday (piano)
Vocalion K 05203, issued December 1925

Handel Trio Sonata in g minor Op.2 No.6 HWV 391
Jelly d’Arányi & Adila Fachiri (violins),
Ethel Hobday (piano)
Vocalion K 05222-23, issued April 1926

And I wonder if Leclair ever drank anything as good as this? It has kept me pretty happy over the last three evenings…

The Kindness of Strangers, Part 6

Adila Fachiri, c.1908 (courtesy of Tully Potter Collection)

My survey of the recorded legacy of the d’Arányi sisters continues. It includes two discs by Adila Fachiri, who made far fewer solos than her sister Jelly. As before, we can only enjoy all these goodies thanks to the great generosity of collector Raymond Glaspole, who has kindly provided these transfers from originals in his collection. I have merely called on my trusty amanuensis ClickRepair.

We start with a fascinating rarity, a movement from a work originally for flute with harp, horn and strings by an Australian casualty of World War I. In 1934, Oxford University Press published a version for flute or violin with small orchestra or piano, ‘The Violin part ... arranged and edited by J. d’Aranyi’, so perhaps she had a hand in the version she plays here too.

Frederick Septimus Kelly arr. d’Arányi?
Serenade [as ‘Suite’] Op.7 – (v) Jig
Schumann arr. Anon. 12 Klavierstücke Op.85 –
(iii) Gartenmelodie
Jelly d’Arányi (violin), Ethel Hobday (piano)
Vocalion R 6141, issued April 1924

Brahms arr. Joachim Hungarian Dance No.2 in d minor
Weber arr. Kreisler Violin Sonata in F Op.10
[aka Op.17] No.1 – (ii) Romanze: Larghetto
Adila Fachiri (violin), Ivor Newton (piano)
Vocalion R 6138, issued March 1924

Couperin arr. Slatter 4ème Livre de pièces de clavecin,
20ème Ordre – (iii) Les Chérubins ou l’aimable Lazure
Kreisler 3 Variations on a Theme of Corelli,
in the style of Tartini
Adila Fachiri (violin), Ethel Hobday (piano)
Vocalion X 9494, issued December 1924

Gluck arr. Kreisler Orfeo ed Euridice –
Dance of the Blessed Spirits [‘Melodie’]
Kreisler Rondino on a Theme of Beethoven
Jelly d’Arányi (violin), Coenraad Bos (piano)
Columbia 5427, issued August 1929

Download the above 8 mono, fully-tagged FLACs files here.

The Idiocy of Corporations, Part 1

I wouldn’t normally tread on the toes of the British Library’s magnificent online Archival Sound Recordings collection, which includes a transfer of the following recording. But some supplicants at the Cave-mouth live in jurisdictions in hock to behemegamoromediamoths^©®TM which suffer from chronic dog-in-the-manger complex, and so can’t stream the BL’s files. To you, I make this offering – but don’t say the ‘content owners’ didn’t warn you when they shut up shop and refuse to invest in the next ‘great’ ‘band’. One mono FLAC file (please note: sides have not been joined up).

Bach Violin Concerto in d minor BWV 1043
Jelly d’Arányi & Adila Fachiri (violins),
orchestra, Stanley Chapple
Vocalion A 0252-53, issued February 1926

The Idiocy of Corporations, Part 2

This simple post has cost me hours. About four days ago, without warning, Blogger stopped formatting text as it has done ever since I first yawned, scratched my breech clout and peeked out of my antre 18 months ago. Line-breaks were ignored, vast spaces yawned between paras. After wasting time trying to correct things by hand, I visited the Blogger ‘help’ forum, where I read that others have the same problem. But I couldn’t post there. Closed to non-members. I’m a Blogger blogger, dammit. I applied to join, three days ago. No response. Maybe they’re trying to amend their meddling.

Then I read that Windows Live Writer works well with Blogger. To install that, though, I needed to install Windows Vista Service Pack 2 and Platform Update. (No, if I’d known, I’d never have bought a laptop with Vista. Why do you think I’m Grumpy?) SP2 took 45 minutes to download, on a 1MB(ish) broadband connection, and something approaching 3 hours to install. Various ‘vital’ updates followed, more hours. Then: create a Windows Live account. Then, more time, choosing not to install various messengers, syncers and swymmers, not uploading all my and my friends’ personal details and mugshots, and ticking boxes so as not to receive e-mails, telephone calls and SMSs about Microsoft’s ‘products’ and ‘services’, thank you.

Live Writer does seem to work quite well, though. So far.

A rainy Saturday afternoon in Poitiers

My idea of heaven, really: a handsome old European city in a beautiful landscape - and a charity shop with French LPs and 78s! Here's a little something from my all too meagre haul:


(I had to make the pic B&W after my scanner turned the faintly sepia-like original into a sickly pink)

This appears to be a French Club national du disque issue of a Musical Masterpiece Society recording, with the influential Czech-born Viennese conductor and teacher Henry Swoboda conducting the Netherlands Philharmonic (on the MMS, see David Patmore, 'Your room a Concert Hall', Classic Record Collector, Vo.6 No.23, Winter 2000, pp.38-42). According to the Bibliothèque nationale's catalogue, dépôt légal of the MMS issue was in 1955, so I've taken a punt on that as recording date.

Interestingly, after the amusing balls-up I related in my previous post, I found that this 10-inch LP has its labels reversed - or, rather, the labels themselves aren't (side and matrix numbers are consistent with the very extensive markings in the run-off area) but the title listings on them are, with Symphony No.94 billed as No.100 and vice versa.

Rather nice performances, too!

8 mono FLACs in a .rar file here. Yes, I know, there's hum and rumble - they don't bother me too much but if you want to take them out and repost the results, please feel free! Better still, teach me how to do it... Otherwise, I found the sound rather good and needing only declicking (apart from the very end of No.100, which gets a bit harsh and crackly).

Back to Poitiers: I recently spent a delightful if drizzly Saturday enjoying its commanding site on a limestone ridge, exploring the lovely streets, squares, old merchants' houses and modern shops. When I asked in a musical instrument shop if anyone sold classical LPs, they said no, Poitiers is more rock and country! But, hurrah, later, conveniently after the sight-seeing, I stumbled on a charity shop with a few crates of LPs and 78s.

If you've never seen the facade of Notre-Dame-la-Grande, go: it's stunning and has been rightly compared to a mediaeval ivory panel (the neighbouring food market is predictably mouth-watering). The inside is thoroughly Viollet-le-Duc-ized but none the less atmospheric (and damp) for that. But I preferred the more austere cathédrale de Saint-Pierre et Saint-Paul, with its amazing 12th C stained-glass window, 13th C carved choir stalls and, best of all, barely altered 1790 organ, the last work of François-Henri Clicquot, who died during the construction, completed by his son Claude-François. I would love to hear this last flowering of 18th C French organ-building - and I would love to go back, with more transport, to the shop where I found this LP and a shedload of ancient vertical cut Pathé 78s! I could only carry a few so I took two, and I already regret leaving the 10-inch lateral cut Pathé (X9918) of cellist Marguerite Caponsacchi - but she was only playing arrangements of Schumann and Schubert.

For my first upload: early 1950s Mozart from US Decca

Hello all!






















On my first foray out of my smelly little cave, I'm offering a 10" DG LP which I found yesterday in the collection of my late father. I used to play his discs a lot as a teenager - in fact, that's how I started listening to classical music - but I don't remember this one, which I've recently become curious to hear, so I was very happy to come across it!

An American Decca origination which Michael Gray dates to 1951; this German issue is apparently quite late, to judge from the printing date of December 1958 on the back of the sleeve! I think this was also the recording which had come out in the UK on Brunswick AXTL 1018 (issued c. October 1953).

I feel it's come up quite well in my straight transfer - no processing other than the miraculous ClickRepair and monoing.

3 mono FLACs in a .rar file at:

http://www.mediafire.com/file/ldy2z513nmm/DG_LPE_17124_Mozart_K364_Fuchs_Zimbler_Sinfonietta.rar

Matrix info etc. is in the tags.

Please let me know of any problems! Apart from the poor quality jpegs, for which I apologise - they looked great when I did the scans and reduced them and now they look a bit rough!

Grumpy