Une poignée de Pougnet

Beethoven String Trio in E flat Op.3
Jean Pougnet (violin)
Frederick Riddle (viola)
Anthony Pini (cello)
rec. 12 to 18 September 1952, Konzerthaus(?), Vienna
by Westminster (USA)
transfer from 1964 UK issue on HMV CLP 1765

Beethoven String Trios in G Op.9 No.1 & D Op.9 No.2
Jean Pougnet (violin)
Frederick Riddle (viola)
Anthony Pini (cello)
rec. 12 to 18 September 1952, Konzerthaus(?), Vienna
by Westminster (USA)
transfer from 1964 UK issue on HMV CLP 1775

Beethoven String Trios in c minor Op.9 No.3
& in D Op.8 ‘Serenade’
Jean Pougnet (violin)
Frederick Riddle (viola)
Anthony Pini (cello)
rec. 12 to 18 September 1952, Konzerthaus(?), Vienna
by Westminster (USA)
transfer from 1964 UK issue on HMV CLP 1785

While I was at it, I thought I should share these other recordings by Pougnet, Riddle and Pini. I really enjoy these works, in which Beethoven is clearly flexing his muscles as a composer of weighty but playful and varied chamber music for strings – before tackling the biggie… And I love these recordings, as I do this group’s Divertimento K.563 of Mozart, which I shared in my last post, and which must have been a stimulus for Beethoven’s Op.3 and the model for Op.8.

Not much more to say, except to say that I feel Westminster’s excellent 1952 recordings (complete with… Viennese tram rumble?) have again come up well in these transfers from 1964 HMV issues. I wonder why EMI licensed them that latet?) They were only available for a very short time – deleted by the end of 1966 – so they’re not that common. I don’t think the first two LPs come from my late father’s collection – I must have got them second-hand. The third, I borrowed from a library, but I couldn’t then scan or photograph the sleeve; I’ve since acquired one of the Westminster issues, so I’ve included images of its sleeve and labels:

I didn’t photograph the HMV labels, as the inner sleeves have opaque paper liners (good choice!), and I don’t have a clean horizontal surface to photograph disc labels on (you do know the Cave is more of a tip than ever, don’t you? I’m losing my grip – no, make that: I’ve  lost it…).

So, to download these LPs, as fully tagged mono FLACs plus images, in Zip files, follow these links:

HMV CLP 1765 Op.3

HMV CLP 1775 Op.9 Nos.1-2

HMV CLP 1785 Op.9 No.3, Op.8

There’s plenty of information about the works on the interwebs and in the sleeve notes which I’ve also included in the Zip files, such as this wonkily glued one:

A quick look at previous recordings of these still somewhat overlooked works:

Op.3:
no version on 78s
first recorded c.1951, Pasquier Trio, Allegro

Op.8:
first recorded 1934, Szymon Goldberg, Paul Hindemith & Emanuel Feuermann, Columbia UK, also issued in US & elsewhere
1936, Pasquier Trio, Pathé; issued in US and UK on Columbia
1950, Joseph & Lillian Fuchs, Leonard Rose, US Decca LP
1951, Erich Röhn, Reinhard Wolf, Arthur Troester, DGG, variable micrograde 78 + LP
c.1951(?), Trio à cordes de la Garde Républicaine, Saturne picture-disc 78
c.1951, Pasquier Trio, Allegro (with Op.9 No.1)

Op.9 No.1:
first recorded 1938, Pasquier Trio, Pathé; issued in US and UK on Columbia
c.1939?, Mara Sebriansky, Edward & George Neikrug, Musicraft
c.1951, Pasquier Trio, Allegro (with Op.8)
18 September 1952, Bel Arte Trio, US Decca LP (with Op.9 No.2)

Op.9 No.2:
first recorded 1949, Pasquier Trio, L’Anthologie Sonore 78 + LP
c.1951, Pasquier Trio, Allegro (with Op.9 No.3)
18 September 1952, Bel Arte Trio, US Decca LP (with Op.9 No.1)

Op.9 No.3:
first recorded March 1934, Trio de Bruxelles, Columbia France; also issued in UK
April 1934, Pasquier Trio, Pathé; issued in US and UK on Columbia
1950, Joseph, Lillian & Harry Fuchs, Decca US LP (with Joseph & Lillian Fuchs, Julius Baker, Serenade in D Op.25)
c.1951, Pasquier Trio, Allegro (with Op.9 No.2)

Let me know if I’ve missed any!

Pini Aroma

Mozart Divertimento in E flat K.563
Jean Pougnet (violin)
Frederick Riddle (viola)
Anthony Pini (cello)
rec. 12 to 18 September 1952, Konzerthaus(?), Vienna
by Westminster (USA)
transfer from 1965 UK issue on HMV CLP 1861   

Sorry about the dreadful pun – but LPs, and old electronics, do give off distinctive whiffs. Whenever I open the turntable on which I transferred this LP, I get a pleasing rubbery smell, which I think comes from the thick platter mat, trapped under the lid. It does a Proust, taking me back to my late father’s hi-fi and record cabinets (not to mention long, boring childhood journeys in hot cars with plastic upholstery), though I can’t honestly claim to remember the exact aroma of his various setups. Nor does this LP, from his shelves, smell of much: for one thing, HMV used translucent paper to line the inner sleeve, not the later polythene which has all too often degraded and left gunk on precious grooves.

No, this disc was and is in excellent condition, and hardly needed cleaning up. I imagine few surviving copies of the original Westminster issues (on WL 5191 and XWN 18551), not to mention the first UK issue of late 1954 (on Nixa WLP 5191), would sound better – those pressings were never too good. Maybe the French Véga issue was better (sample a commercial transfer here, or even buy it here). The recording is close (which I like) and vivid, and I just love this performance. Love the work, too, which always seems to bring out the best in players, and I never tire of hearing new versions, but I’m esepecially fond of this one. I hope you enjoy it too!

I haven’t got the time and energy to do a full bio-/discographical job on the musicians – and I don’t need to, as all three are well known. What may not be so well known is that Jean Pougnet (1907-68) made his first documented recordings in early 1926 for the National Gramophonic Society – playing second viola alongside André Mangeot’s Music Society String Quartet in Purcell’s Fantasia ‘upon one note’ and Vaughan Williams’ Phantasy String Quintet. Transfers of both may be downloaded from the CHARM website: the Purcell consists of just one sound file, plus label, while the Vaughan Williams is on four sides – 1, 2, 3, 4 – plus label 1, etc. (The Vaughan Williams is also the worst-sounding recording issued by the N.G.S.)

Frederick Riddle (1912-95) was the only one of these three musicians born in England: Pougnet was born in Mauritius, and Anthony Pini (1902-89) in Argentina, as Carlos Antonio. All became stalwarts of Britain’s orchestral, chamber music and teaching worlds. I’m indebted to Tully Potter, the leading historian of string players and chamber music, whose obituary of Riddle (The Strad, May 1995) relates that, before the war, Pougnet and Pini played and broadcast together with William Primrose as the London String Trio. After the war, Riddle replaced Primrose, although the name was taken up by a different trio of players. Our three had also played together in the Philharmonia String Quartet, which Walter Legge formed from his Philharmonia Orchestra, and, before that, in the BBC Salon Orchestra.

Tully also told me that the ad hoc trio made its first batch of recordings for Westminster in Vienna, in one week – this Mozart, and string trios by Beethoven, Lennox Berkeley, Haydn, and Charles Henry Wilton. This explains why Michael Gray’s discography site gives a range of dates – it also names the Konzerthaus as venue for some of the week’s work (I’m guessing it was used for all). The second batch, recorded in autumn 1954, consisted of trios by Dohnányi, Françaix and Hindemith. I believe none of this legacy has been reissued on CD (from tape – the Beethoven, Dohnányi & Françaix and Wilton trios have been transferred from discs by Forgotten Records), a grievous omission, though not surprising. I do have more dubs, which I may share if they’re good enough, and if I have time…

Meanwhile, you can download this transfer of K.563, as six fully-tagged mono FLACs plus sleeve scans, in a Zip file, from here.

As for the work, I reckon this was its fifth complete recording. The Pasquier Trio of France made the first, in June 1935, for Pathé (transferred to CD by Green Door of Japan); also issued in Britain and the USA on Columbia (transferred by The Shellackophile). They re-recorded it after the war for Les Discophiles Français (again transferred from disc by Green Door); issued in the US initially on Vox, and then by the Haydn Society (the latter remastered from tape by Music and Arts). Meanwhile, Heifetz, Primrose and Feuermann had recorded it for Victor in September 1941; a well-known set, transferred by Biddulph, Opus Kura and probably others.

Less well known are one of the Menuetti (but which?), recorded by members of the Budapest Quartet for American Columbia in February 1945, but not issued until 1950 as a filler for the (obsolescent) 78 rpm set of Schubert’s ‘Trout’ Quintet with Mieczysław Horszowski and Georges Moleux; and a complete recording, made in April and May 1951 by the Bel Arte Trio (Ruth Posselt, Joseph dePasquale and Samuel Mayes) for US Decca, issued in the UK on Brunswick, and never, to my knowledge, reissued (as if…) or transferred.

The biggest rarity and oddity, though, must be a Tilophan ‘Spiel mit’ set of extracts, seemingly one or both Menuetti, with the violin, viola and cello parts not played (by unnamed players) on successive sides. This was available by January 1938, when it was listed in a French magazine. If anyone owns or has ever seen any of these, do let me know!